【音樂】 回憶之聲

此曲的創作經驗是十分特殊的，在選擇歌詞上，我以日本詩人松尾芭蕉的徘句（英譯）為主。Petrarch的十四行詩第一首摘其片段為呼應，即便是來自不同的文化、語系，透過個人的經驗，鋪陳了一個四個樂章的曲子，彼此有相關、延伸、對立與昇華。我希望透過這首曲子以及未來不斷的創作，能夠逐步實現我個人的信念－根植於深度文化所發出的人文素養能夠為生命意義帶來真正的滿足。我為這四個樂章下了名字，將我寫作時的感受具體化：《夢囈》是破碎的、尋找的、沒有出口的情緒；《塵埃》則是獨處時的矛盾；《迫》是對無情年華的驚覺以及質問；《翹盼》則是承接前三個樂章的負面與問號，給予答案－等待生命的應許。僅將此曲題獻給我所摯愛的人。
I had a very special experience when I wrote this song. I selected haiku written by a Japanese poet, Matsuo Basho, and an extract of Petrarch's first sonnet as a response. Even originating from different cultures and languages, through personal experiences, I spread out a song with four movements with each movement mutually connected, extended confronted, and transcended.It has always been my hope to realize, through this song and my coming works my own conviction： A humanistic quality rooted in profound culture brings forth real satisfaction. The titles given to the four movements embody my thinking and feeling in the course of composing the song. "Somniloquy" symbolizes an emotion that is searching, without outlet. "Dust" stands for controversy experienced when one is alone. "Threat" refers to the sudden noticingand interrogation why life is ruthless. As a response to the negation and question in the previous movements, "Look forward" gives the answer： awaiting the promise of life.I would like to dedicate this work to those people I love most.