<b>2020 Taiwanese Precious Music Recordings Online Exhibition</b><br><br><b>響應「2020世界影音遺產日」</b><br><b>In celebration of </b><i><b>2020</b></i><b>&nbsp;</b><i><b>World Day for Audiovisual Heritage</b></i><br>
展覽頁面呈現形式
橫式
時間軸
温隆信的大事紀年表
魏樂富與葉綠娜的大事紀年表
席慕德的大事紀年表
故事地圖
席慕德世界巡迴演唱紀錄
策展者
國立傳統藝術中心臺灣音樂館
國立臺灣師範大學音樂數位典藏中心
黃均人
黃比宣
展覽封面
c67b05e2119e40fd3b12c953bd800159
展覽資料
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Transcending language and cultural boundaries, appealing immediately to the eye and the ear, to the literate and illiterate, audiovisual documents have transformed society by becoming a permanent complement to the traditional written record.&nbsp;&nbsp;<br></span><span><br>However, they are extremely vulnerable and it is estimated that we have no more than 10 to 15 years to transfer audiovisual records to digital to prevent their loss. Much of the world's audiovisual heritage has already been irrevocably lost through neglect, destruction, decay and the lack of resources, skills, and structures, thus impoverishing the memory of mankind. Much more will be lost if stronger and concerted international action is not taken.&nbsp;&nbsp;<br></span><span><br>It was in this context, that the General Conference in 2005 approved the commemoration of a <b><a target=\"_blank\" rel=\"nofollow\" href=\"https://www.un.org/en/events/audiovisualday/index.shtml\">World Day for Audiovisual Heritage</a></b> as a mechanism to raise general awareness of the need for urgent measures to be taken and to acknowledge the importance of audiovisual documents as an integral part of national identity.</span></span>", "weight": 1 }, "theme-uh2rwrrm2m": { "id": "theme-uh2rwrrm2m", "type": "theme", "sortable": true, "primaryObj": { "oid": "9a12cf03cafc597a5b2d5d00fbffec16", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/31/37/32/36/35/ascdc_muse.jpg?itok=9rMD_sxW", "level": "primary", "title": "1969年德國波昂東亞研究院「中國音樂與戲劇」(Musik und Theater in China) 展覽手冊", "desc": "展覽手冊。2份。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/37/32/36/35/ascdc_muse.jpg?itok=B_XPzSoy", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/37/32/36/35/ascdc_muse.jpg?itok=w3NWNbn9", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/37/32/36/35/ascdc_muse.jpg?itok=_BKhhHg9", "mfid": "a348e593ca495729e850b0187a130b35", "fileCreator": "", "rights": "德國波昂東亞研究院", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "前言:世界影音遺產日", "desc": "<b>World Day for Audiovisual Heritage</b>", "weight": 2 }, "basic-avm8sa1wjm": { "id": "basic-avm8sa1wjm", "type": "basic", "sortable": true, "primaryObj": { "oid": "0a3df3490e1b3235a323329963be9df6", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/31/39/34/37/34/ascdc_muse.jpg?itok=_LYZIYWy", "level": "primary", "title": "臺灣音樂珍貴錄音線上展內容", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/37/34/ascdc_muse.jpg?itok=r36BKLgk", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/37/34/ascdc_muse.jpg?itok=mGHj38hS", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/37/34/ascdc_muse.jpg?itok=f9gthYZp", "mfid": "890dca7b121a0da86a11641c0215e60b", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "2020年主題:眺望世界之窗(2020 Theme: Your Window to the World)", "desc": "<span>今年世界影音遺產日的主題訂為「<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.ccaaa.org/WDAVH2020#:~:text=The%20World%20Day%20for%20Audiovisual,our%20heritage%20for%20future%20generations.\"><b>眺望世界之窗</b></a>」,聯合國教科文組織對於今年的主題描述如下:<span><br><br></span><b>影音遺產宛如一扇窗,提供人們得以眺望到他們無法親臨的世界角落,聆聽到那些逝去的過往聲音,編織著那些寓教於樂的故事。當人們開始探索這個世界,並尋求與他人的互動之時,影音內容在人類生活中所扮演的角色就日益重要</b><i><b>。</b></i><span><br><br>每年的此刻,臺灣音樂館都會以不同形式的活動來共襄盛舉。在新冠肺炎肆虐的這一年,我們將改採線上展覽的方式,與全球分享多筆臺灣音樂史上珍貴的歷史錄音檔案,其中有來自民間失傳的歌聲,以及巡遍世界後返鄉落地生根的美聲,還有將臺灣當代音樂推上國際舞台的傑出創作,跟永垂不朽的雙鋼琴琴聲,讓人們防疫在家期間也能透過數位影音典藏這扇窗,跟著世界一同回顧那些曾經的美好</span>。<br><br></span><span>This year the theme of the World Day for Audiovisual Heritage is \"<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.ccaaa.org/WDAVH2020#:~:text=The%20World%20Day%20for%20Audiovisual,our%20heritage%20for%20future%20generations.\"><b>Your Window to the World</b></a>.\" Here is the UNESCO official Statement about this year's theme:<br><br><i>Audiovisual materials as documentary heritage objects provide&nbsp;<b>a window to the world</b>&nbsp;as we observe events we cannot attend, we hear voices from the past who can no longer speak, and we craft stories that inform and entertain. Audiovisual content plays an increasingly vital role in our lives as we seek to understand the world and engage with our fellow beings.</i></span>&nbsp;<br><span><br>At this time every year, the Taiwan Music Institute joins the grand event in different ways. This year, due to the COVID-19 pandemic, we decided to present some precious recordings of Taiwanese music with an online exhibition, which includes the folk songs that had disappeared, a beautiful voice that had travelled around the world, a brilliant composition that was internationally recognized, and the immortal music of a piano duo coming with a romantic story. We hope everybody in the world will enjoy the goodness from the past through the window of the digital archiving presented during the pandemic.</span>", "weight": 3 }, "theme-hx1pat997m": { "id": "theme-hx1pat997m", "type": "theme", "sortable": true, "primaryObj": { "oid": "7c5395ce744e85e68c3f211b20a80569", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/34/35/30/31/ascdc_muse.jpg?itok=37le6ymn", "level": "primary", "title": "張日貴、張素蘭與張碧蘭演唱滿州民歌", "desc": "張日貴(左)、張素蘭(中)與張碧蘭(右)演唱滿州民歌。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/34/35/30/31/ascdc_muse.jpg?itok=wS7mQDuq", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/34/35/30/31/ascdc_muse.jpg?itok=e8V4Sw0l", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/34/35/30/31/ascdc_muse.jpg?itok=EyrODNJn", "mfid": "7cf365b26ead28c28665deb4f2d883a9", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "遊唱詩人:陳達", "desc": "<b>Folk Song Singer:CHEN Da</b>", "weight": 4 }, "basic-7bsfjjnxex": { "id": "basic-7bsfjjnxex", "type": "basic", "sortable": true, "primaryObj": { "oid": "48a22cf253c7b202f7cfec7d8b5c146b", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/37/30/34/35/ascdc_muse.jpg?itok=MVzmOTgT", "level": "primary", "title": "李哲洋 進行民歌採集_1", "desc": "在五峰鄉賽夏族矮靈祭期間進行民歌採集錄音。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/37/30/34/35/ascdc_muse.jpg?itok=wrMDRXUi", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/37/30/34/35/ascdc_muse.jpg?itok=uLgxATlN", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/37/30/34/35/ascdc_muse.jpg?itok=NR0CRwQs", "mfid": "013ad8dba7290645a60af9c1c9441410", "fileCreator": "", "rights": "國立臺北藝術大學", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "民歌採集運動 (The Folk Song Collecting Movement)", "desc": "<span>1960年代,一群經過西方音樂教育洗禮後返鄉的年輕學子,他們受到國外民族音樂運動的啟發,有感於自身在地的傳統音樂正面臨逐漸凋零的危機,遂以作曲家<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/5767791f2c26fc055e6ed09d274dedcf\">史惟亮</a>和<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/954cd3a438f97a81d997d7f631d8301d\">許常惠</a>為首,號召當時多名志同道合的音樂家一同發起「<b><a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/exhibition/71f316d7893b062ce41f24dad5a19cc8\">民歌採集運動</a></b>」。自1966年至1978年為止,採集者前後歷經了六次的田野採集,內容以臺灣原住民各族的音樂和福佬及客家民歌為主,過程中針對五百餘位歌手進行採錄,共收集到兩千多筆珍貴的有聲資料,讓如今已不復存在的歷史聲音得以藉由錄音技術保存至今。<br><br></span>In 1960s, a group of young Taiwanese musicians led by&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/5767791f2c26fc055e6ed09d274dedcf\">SHIH Wei-Liang</a>&nbsp;and&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/954cd3a438f97a81d997d7f631d8301d\">HSU Tsang-Houei</a>, inspired by European Musical Nationalism, launched \"<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/exhibition/71f316d7893b062ce41f24dad5a19cc8\"><b>The Folk Song Collecting Movement</b></a>\" due to the crisis of losing their own traditional music. They did six field researches from 1966 to 1978, &nbsp;recorded more than five hundred singers, and collected over two thousand precious audio materials mainly from the Taiwanese aborigines, Hoklo and Hakka people. As a result of \"The Folk Song Collecting Movement,\" lots of Taiwanese historical sounds, that no longer existed in today’s world, had been preserved through the technology of recording.<br>", "weight": 5, "secondaryObj": { "oid": "8090fb19c41129adaaa51af0e23c3d5a", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/37/34/37/33/ascdc_muse.jpg", "level": "secondary", "title": "臺灣原住民與客家、閩南福佬民謠", "desc": "本案為1960年代民歌採集運動錄製之原住民與客家、閩南福佬歌謠,內容包括(客家)《採茶歌》、《山歌仔》、《催眠歌》、(原住民)《杵歌》、《打山豬歌》、《訂婚歌》、《報告本領歌》、《豐年祭》等;以及(福佬)《駛犁歌》、《四季春》、《牛尾擺》等曲目。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/37/34/37/33/ascdc_muse.jpg?itok=KFWvRw3E", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/37/34/37/33/ascdc_muse.jpg?itok=1ohj7Wct", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/37/34/37/33/ascdc_muse.jpg?itok=goV6cxsA", "mfid": "c039417627fc47cd0ccbdb229d05bb6b", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false } }, "basic-hnv4z0y906": { "id": "basic-hnv4z0y906", "type": "basic", "sortable": true, "primaryObj": { "oid": "ce234b0b5014d4901a0bc1a5776ee5cd", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/31/36/34/35/32/ascdc_muse.jpg?itok=_7Yf_LMF", "level": "primary", "title": "華歐學社成立備忘錄", "desc": "左方有史惟亮簽名,右方有歐樂思簽名", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/36/34/35/32/ascdc_muse.jpg?itok=xq5Ts41-", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/36/34/35/32/ascdc_muse.jpg?itok=xPSX1Jan", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/36/34/35/32/ascdc_muse.jpg?itok=TAzb9W0f", "mfid": "8eea92ed0c81b8bdb6a834b2ece61b30", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "華歐學社 (The Arbeit Gemeinschaft China-Europa)", "desc": "<span>「華歐學社」是<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/5767791f2c26fc055e6ed09d274dedcf\">史惟亮</a>在留歐期間,於<span>1965年與瑞士友人歐樂思神父及一群志同道合的夥伴,在波昂成立的東西文化交流組織。該組織成立之後即資助史惟亮返臺後的各項行動,包括中國青年音樂圖書館的成立以及民歌採集運動等,史惟亮因此定期將行動成果寄給人在波昂的歐樂思,其中包括一批採集到的有聲資料盤式錄音帶備份。華歐學社於1969<span>年更名為「<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/exhibition/1e6a68f88379ba13863d5cd9c902b267\">東亞研究院</a>」,並持續推動東西文化交流。<br><br></span></span></span>In 1965, the Arbeit Gemeinschaft China-Europa was founded in Bonn, Germany, by Alois Osterwalder,&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/5767791f2c26fc055e6ed09d274dedcf\">SHIH Wei-Liang</a>, and their friends, aiming to promote the cultural exchange between East and West. The Arbeit Gemeinschaft China-Europa had funded many SHIH’s projects in Taiwan, including the establishing of first academic music library of Taiwan, and the launching of \"The Folk Song Collecting Movement.\" In order to report the status of the use of funds, SHIH regularly sent the results such as the photos of the music library and copies of the reel-to-reel audio tapes from the Movement to Alois in Bonn. Since the Arbeit Gemeinschaft China-Europa was renamed as the <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/exhibition/1e6a68f88379ba13863d5cd9c902b267\">Ostasien-Institut</a> in 1969, it has continued promoting the cultural exchange between Asia and Europe.<br>", "weight": 6 }, "basic-3h1lemza1k": { "id": "basic-3h1lemza1k", "type": "basic", "sortable": true, "primaryObj": { "oid": "cd3357255fd4a0a91ceb542fc13a10ae", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/31/36/35/30/32/ascdc_muse.jpg?itok=_sNjdRFe", "level": "primary", "title": "歐樂思所保存的民歌採集運動時期錄音帶", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/36/35/30/32/ascdc_muse.jpg?itok=CwRoXKoZ", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/36/35/30/32/ascdc_muse.jpg?itok=oZozNevu", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/36/35/30/32/ascdc_muse.jpg?itok=RoVuj086", "mfid": "f4630bc1c0dd4ea2b8c2ea027a7d1f04", "fileCreator": "", "rights": "國家發展委員會檔案管理局", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileOversize": false }, "title": "文物返鄉 (Cultural Relics Return Home)", "desc": "半世紀後,當人們開始重視自身的歷史文化,並努力尋找民族根基時,赫然發現當初採集到的那些失傳民歌,因臺灣潮濕炎熱的氣候加上存放不當,原始盤帶產生沾黏及發霉的現象而受損嚴重。正當今日的學者們為珍貴檔案的毀損感到懊惱之際,來自彼岸的一封信開啟了另一扇窗。<br><br>2012年,前身為華歐學社的<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/exhibition/1e6a68f88379ba13863d5cd9c902b267\">東亞研究院</a>主動與臺灣聯繫,告知該院存放有一批來自臺灣的歷史有聲資料,願意歸還並提供保存及數位化之協助。這批資料包含了珍貴的56捲民歌採集盤帶,歸功於德國乾爽的氣候以及歐樂思神父的完善保存,每卷盤帶都維持了一定的播放品質,讓消逝半世紀的民歌得以再次重見天日。<br><br>After half a century, when Taiwanese people began to value their own history and search for the ethnic roots of their culture, they found the recorded tapes from \"The Folk Song Collecting Movement\" had been seriously damaged by the hot and humid climate in Taiwan, along with an improper storage environment. Just when all the scholars were upset with themselves being so careless, another door opened to them.&nbsp;<br><br>In 2012, the&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/exhibition/1e6a68f88379ba13863d5cd9c902b267\">Ostasien-Institut</a>&nbsp;contacted the Digital Archive Center for Music of National Taiwan Normal University, and informed them that there was a batch of historical audio materials of Taiwan, including 56 reel-to-reel audio tapes of \"The Folk Song Collecting Movement.\" The Ostasien-Institut wished to return them and got the assistance of digitizing. All the tapes from the Ostasien-Institut had maintained good quality of playback, credited to the dry climate of Germany and well preservation of Alois Osterwalder, and enabled the folk songs that disappeared for half a century to be heard again.<br>", "weight": 7, "secondaryObj": { "oid": "32b4f32dee91fdf800445b48a8cb65ca", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/36/34/34/34/ascdc_muse.jpg", "level": "secondary", "title": "歐樂思(左)2013年接受臺師大張國恩校長頒予感謝狀", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/36/34/34/34/ascdc_muse.jpg?itok=bWfCA78d", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/36/34/34/34/ascdc_muse.jpg?itok=cO4H9QX5", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/36/34/34/34/ascdc_muse.jpg?itok=ROK1_D4z", "mfid": "ed73936896175eff171982e476ef786c", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有", "fileOversize": false } }, "basic-si0t87jo6n": { "id": "basic-si0t87jo6n", "type": "basic", "sortable": true, "primaryObj": { "oid": "92dc027cdb37a544fa56bb95f6c50bfe", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/34/37/37/ascdc_muse.mp4", "level": "primary", "title": "民歌採集運動所採錄之陳達錄音1", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/37/37/ascdc_muse_cover.jpg?itok=opqT9D9y", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/37/37/ascdc_muse_cover.jpg?itok=Yngn-Zu9", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/37/37/ascdc_muse_cover.jpg?itok=KOCDMP62", "mfid": "62feb43e33ace32b321a4c7bba3d1aec", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "恆春半島的遊唱詩人:陳達 (Folk Song Singer: CHEN Da)", "desc": "<span>在這批自德國返鄉的民歌採集盤帶中,很引人注目的一捲是1968年4月5日在屏東恆春對福佬民歌手陳達進行採集的錄音母帶。這捲帶子記錄了過去從未公開過的採集過程,以及由陳達老先生信手拈來即興彈唱的多首樂曲,其中包含了知名的恆春古調《思想起<span>》。<br></span></span><span><br>出生於恆春半島的民間歌手<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/5f9c73f58d9199184845c5edce6c8c17\"><b>陳達</b></a>(1906-1981),曾被譽為「未經人工改造的遊唱詩人」及「臺灣民間音樂寶石」。他擅長以恆春當地的民謠曲調為基底,套入即興創作的歌詞,搭配月琴伴奏,以半吟半唱的方式,緩緩吐出關於這片土地的歷史人文風情。1980年代一首著名的校園民歌《<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.youtube.com/watch?v=iIy0zCNKUKY\">月琴</a>》,歌詞即在描繪這位傳奇的臺灣民俗音樂家。</span>&nbsp;<br><span><br>此次公開的錄音檔案,錄製於陳達當時位於恆春鎮砂尾路39號的住處(即影片中的背景照片),錄音者為張建永先生。<br></span><br>陳達老先生在理解一行人前來拜訪他的目的之後,便將這段採集歷程轉化成開頭吟唱的歌詞,內容大意在講述這群來自台北的採集者都是當前國家的知識青年,他們今日來採訪他的目的就是要讓他名揚四海。<br><br>Among this batch of the historical tapes of \"The Folk Song Collecting Movement,\" there was one particular tape that drew everybody's attention; the tape was recorded on April 5th, 1968, and was a recording of a Hoklo folk-song singer, CHEN Da, in Hengchun Peninsula of Pingtung County. This tape also recorded the whole process of field research that has never been made public in the past, including couple improvised songs made by CHEN, and the most famous ancient tune of Hengchun, \"Thinking About the Past.\"&nbsp;<br><br><a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/5f9c73f58d9199184845c5edce6c8c17\">CHEN Da</a>&nbsp;was born in Hengchun, Pingtung in 1906. He was one-fourth aboriginal. He learned traditional songs of the Hengchun region from his older brother and other local musicians. He was good at arranging lyrics. He sang long, narrative-style songs and also shorter improvised songs, including songs about gratitude and love, as well as songs of encouragement. He also used free open-form rhythms and tempos, singing in a chanting, almost recitative style. He has been given the epithets, \"the self-made bard\" and \"the gem of Taiwan folk music.\" CHEN died in 1981.<br><br>The recording that you are listening to right now was taken in CHEN's home, as shown in the picture, by ZHANG Jian-Yong.&nbsp;<br><br>After understanding the purpose of the visit and interview, CHEN improvised a song about the process of field research performed by the elites of the country, who came to record him, with the intention of making him famous throughout the world.<br>", "weight": 8 }, "basic-bmuajw8jjs": { "id": "basic-bmuajw8jjs", "type": "basic", "sortable": true, "primaryObj": { "oid": "e11b791b5f019e20c917964b4f691fc1", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/34/36/36/ascdc_muse.mp4", "level": "primary", "title": "民歌採集運動所採錄之陳達錄音2", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/36/36/ascdc_muse_cover.jpg?itok=wsYp9PCt", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/36/36/ascdc_muse_cover.jpg?itok=tSRrVj5u", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/36/36/ascdc_muse_cover.jpg?itok=CkBsLHoc", "mfid": "ff20d1980c3c04debe693ca9eda71dae", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "陳達吟唱《思想起》(CHEN Da sang \"Thinking About the Past\")", "desc": "<span>接著,<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/5f9c73f58d9199184845c5edce6c8c17\"><b>陳達</b></a>老先生一邊彈奏月琴,一邊調整起琴的定弦。不久,便開始吟唱起著名的《思想起》曲調。《思想起》採用的是傳統民謠中常見的「詩節曲式」,即各段歌詞套入同一曲調反覆哼唱。在此卷採集盤帶中,陳達利用《思想起》的重複曲式,講述了描述恆春半島各處的風景及傳說;在此公開的檔案內容是有關貓鼻頭的錄音段落。</span>&nbsp;<br><span><br>關於貓鼻頭,陳達老先生唱到「貓鼻頭對</span>(向)東有個燈樓(燈塔)」,指的是鵝鑾鼻燈塔;陳達又說那裡的「石頭都在耗(哭)」,根據歷史記載,今日恆春南端的鵝鑾鼻及貓鼻頭一帶海域,在大航海時代曾是當時的水路要道,船隻往來頻繁,但同時也因為那裏海象險惡,成為當地船難頻傳的區域。船隻們只要稍有不慎,就會如陳達老先生所唱的「不知水路碰到石頭大倒霉」;而不幸落海的亡魂們,最後則化作岸邊的石頭日夜哭嚎。&nbsp;<br><span><br>陳達所演釋的,是人類千古以來以藝術傳遞知識的古老手法;他讓世人見證了古人的智慧,也讓當代的人們聽見了那失傳的技藝。如今,我們有幸還能藉由科技的力量延續這份理解與感動,也讓我們深刻明白完善保存自身文化之影音檔案的重要性。<br><br></span>After the first section,&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/5f9c73f58d9199184845c5edce6c8c17\">CHEN Da</a>&nbsp;started retuning his plugged instrument, Yueqin, while playing, and began to sing the famous ancient tune of Hengchun, \"Thinking About the Past.\" \"Thinking About the Past\" is a strophic song, which is a very common type of folk song that repeats the same melody with different text for each repetition. In this tape, CHEN used the strophic form to describe the scenery and legends of the Hengchun Peninsula. The recording you are listening to now is about a place called Maobitou (Cat-like Rock).&nbsp;<br><br>According to CHEN’s singing, there is a lighthouse to the east of Maobitou, which is the Eluanbi Lighthouse. He sang that the rocks around the lighthouse have been crying for centuries. The history can be traced back to the Age of Discovery, when the seas between the Eluanbi lighthouse and Maobitou was once the main waterway for all the boats to pass through. However, it was also the area where lots of boats sank because of the rough seas. In CHEN’s story, those who did not know the way all ended up bumping into rocks, falling into the deep ocean, and becoming the rocks that wailed day and night.&nbsp;<br><br>What CHEN Da has demonstrated is an ancient method of passing on the knowledge through art that humans have been doing for thousands of years. He lets the world witness the wisdom of the ancients, and hear the voices that have been vanished. Today, we are very blessed to be able to continue hearing this music from the past &nbsp;through technology, and understand the importance of preserving the audio-visual files of our culture.<br>", "weight": 9 }, "theme-t5nf759z0x": { "id": "theme-t5nf759z0x", "type": "theme", "sortable": true, "primaryObj": { "oid": "61bab60cc6da7d8e8c3365b50ab1014a", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/31/39/34/33/36/ascdc_muse.jpg?itok=0f22YAXK", "level": "primary", "title": "女中音席慕德演唱會海報", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/33/36/ascdc_muse.jpg?itok=Zyog8oma", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/33/36/ascdc_muse.jpg?itok=9SUKwTpm", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/33/36/ascdc_muse.jpg?itok=5plRVAkJ", "mfid": "4e4419885d5856d5174a15d2d696a85f", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "高歌不息:席慕德", "desc": "<b>Mezzo-soprano:&nbsp;</b><b>Gomda&nbsp;</b><b>Phyllis&nbsp;</b><b>HSI</b>", "weight": 10 }, "basic-yhjq29djyd": { "id": "basic-yhjq29djyd", "type": "basic", "sortable": true, "primaryObj": { "oid": "f4aedfdcecb0a63089d8e93682ca3fa2", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/31/39/34/35/30/ascdc_muse.jpg?itok=8Tpr0Rrw", "level": "primary", "title": "席慕德(一排右三)1953年在香港與啟蒙聲樂老師瓜爾迪(一排左三)以及同學合影", "desc": "席慕德(右三)與啟蒙聲樂老師瓜爾迪(左三)及同學們合影。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/35/30/ascdc_muse.jpg?itok=YPSqZh3w", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/35/30/ascdc_muse.jpg?itok=nXmjlDrM", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/35/30/ascdc_muse.jpg?itok=2kNa3_8J", "mfid": "57ca2293d79363f5ca693a0dbd7d33ee", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "高歌而來(Singing Along)", "desc": "<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">席慕德</a>,臺灣知名的次女高音,是早期留歐的藝術家之一。她曾兩度被德國文化機構選派至東南亞各國巡迴演唱德國藝術歌曲,是第一位以非德籍身份參與此文化交流的藝術家。旅居歐美近二十年期間,她的演唱身影活躍於全球各大城市,受到各地報章樂評讚賞。返臺後,她更投身於聲樂藝術的推廣,以流暢的文筆出版多本關於音樂的著作。&nbsp;<br><br>蒙古籍的席慕德,1938年出生於北平(今北京),天生愛唱歌的她因為戰亂隨父母親避難香港時,由義裔美籍的瓜爾迪老師啟蒙學習聲樂。1958年,席慕德考進當時的臺灣省立師範大學(今國立臺灣師範大學)音樂系,開啟她正統的音樂教育之路。大學畢業後,她憑藉著德國政府給予的獎學金,進入了慕尼黑音樂學院就讀。&nbsp;<br><br><a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">Gomda Phyllis HSI</a>&nbsp;is an internationally renowned mezzo-soprano. She has sung professionally throughout Europe and the United States for more than 20 years, and under the sponsorship of the Goethe Institute in Munich (Goethe Institut Muenchen), has &nbsp;twice toured southeast Asian countries, giving recitals and lecture concerts of Lieder. In recent years, she has devoted herself to the promotion of vocal art in Taiwan. Her publications include books on singing and selected German Lieder albums.&nbsp;<br><br>Born in Beijing on March 3, 1938, with Mongolian roots, Phyllis HSI was a natural singer. She started her singing lessons with an Italian American teacher, Elisio Gualdi (1905-?), in Hong Kong, where her parents took refuge in. Phyllis HSI began study&nbsp;at&nbsp;the Department of Music of&nbsp;the National Taiwan Normal University in 1958. &nbsp;After graduate, &nbsp;she continued her study at Hochschule für Musik und Theater&nbsp;München, Germany, with a scholarship from the German government, and graduated in 1966 with distinction.", "weight": 11, "secondaryObj": { "oid": "d6cd12815e5ab2b4d05cb26b3e61bf74", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/35/34/32/31/ascdc_muse.jpg", "level": "secondary", "title": "席慕德 畢業音樂會", "desc": "師大音樂系第十屆畢業音樂會。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/35/34/32/31/ascdc_muse.jpg?itok=z7Ga2b1m", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/35/34/32/31/ascdc_muse.jpg?itok=hy_eJxf0", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/35/34/32/31/ascdc_muse.jpg?itok=LMkSWymS", "mfid": "40cd9f804cc6e67541782f9cc163397d", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false } }, "basic-mt3089p99y": { "id": "basic-mt3089p99y", "type": "basic", "sortable": true, "primaryObj": { "oid": "d70b4918a14769df51a658305b8307c1", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/34/35/32/ascdc_muse.mp4", "level": "primary", "title": "席慕德大學剛畢業的錄音", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/35/32/ascdc_muse_cover.jpg?itok=5VajsTsW", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/35/32/ascdc_muse_cover.jpg?itok=RuhexMgV", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/35/32/ascdc_muse_cover.jpg?itok=ZBe6n64X", "mfid": "bfd2453eddc112e9d71e510b5f49d215", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "美聲崛起 (The Rise of Beautiful Singing)", "desc": "<span><b>聆聽席慕德大學剛畢業的歌聲。</b><br></span><br>此曲錄製於1962年2月27日,是當時剛畢業於師範大學的<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">席慕德</a>,為了準備申請國外學校而特別錄製的其中一曲。樂曲為舒伯特於1816年創作的藝術歌曲《流浪者之歌》,歌詞取自德國詩人施米特 · 馮 · 呂貝克的作品《陌生人的晚歌》,略帶蒼桑的歌詞內容或多或少反映出舒伯特在世時的心情寫照。席慕德錄製此曲時年僅24歲,卻已能以成熟的歌聲與技巧來詮釋樂曲的精神。<br><br><b>Let’s listen to Phyllis HSI’s voice from college.&nbsp;</b><br><span><br>The file was recorded on February 27, 1962, after <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">Phyllis HSI</a> graduated from college. She recorded this piece in order to apply to study aboard. The lied, <i>Der Wanderer</i>, composed by Franz Schubert in 1816, was based on a poem of the German poet Schmidt von Lübeck. The lyric reflected the vicissitudes of Schubert’s life. At the time, Phyllis HSI was only 24, but already able to interpret the essence of the piece with a mature and skilled voice.</span>", "weight": 12, "secondaryObj": { "oid": "39ccfc0074ff4ce69d305c067db46afb", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/30/30/31/ascdc_muse.jpg", "level": "secondary", "title": "席慕德 師大音樂系全體老師聚餐後合照", "desc": "1962年時擔任音樂系助教,後排左邊第五位為席慕德。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/30/30/31/ascdc_muse.jpg?itok=7WWcB6KD", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/30/30/31/ascdc_muse.jpg?itok=jYT33180", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/30/30/31/ascdc_muse.jpg?itok=rYnxnpDr", "mfid": "50ef0299faed3c7c4068a1ee34d03ce0", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false } }, "basic-jm4plzm5u5": { "id": "basic-jm4plzm5u5", "type": "basic", "sortable": true, "primaryObj": { "oid": "0c6f1c875297e5f0f4e9f86ad7cb7a58", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/35/34/32/35/ascdc_muse.jpg?itok=qhTbH6L_", "level": "primary", "title": "席慕德 年輕時在歐洲演出劇照", "desc": "於德國雷根斯堡劇院 (Regensburg Theater) 演出歌劇的劇照。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/35/34/32/35/ascdc_muse.jpg?itok=xs1x1gqb", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/35/34/32/35/ascdc_muse.jpg?itok=P97nEPi8", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/35/34/32/35/ascdc_muse.jpg?itok=I9Fyh-5U", "mfid": "5829f297c3d81a1531c866905f0a1899", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "展翅高歌 (Sing and Soar)", "desc": "<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">席慕德</a>於1966 年6月以優異的成績畢業於慕尼黑音樂學院,並獲得聲樂家文憑,隨即展開她在歐洲的巡迴演出。隔一年春天,她進入德國雷根斯堡歌劇院擔任女高音的角色,並持續在歐陸多個城市舉辦獨唱會。1969年,席慕德以首位非德籍身份的藝術家,榮膺德國「歌德學院」慕尼黑總部的徵選,前往東南亞各國進行「藝術歌曲獨唱會」的文化交流之旅;1971年,席慕德再次獲選代表歌德學院進行世界巡演,兩次巡演下來共計有二十三場獨唱會的演出。<br><br><span>A year after graduating from Hochschule für Musik und Theater&nbsp;München, <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">Phyllis HSI</a> started a job in the&nbsp;Theater Regensburg as a soprano, and continued giving solo recitals in Europe. In 1969, Phyllis HSI gave a concert tour of southeast-Asian countries, such as Thailand, Hong Kong, Philippines&nbsp;and&nbsp;Taiwan, giving recitals and lecture concerts of&nbsp;Lieder under the sponsorship of the Goethe Institute of&nbsp;Munich (Goethe Institut Muenchen).&nbsp;Phyllis HSI is the first non-German musician chosen to be the representative for&nbsp;German cultural exchange&nbsp;of the Goethe Institute. In 1971, she gave another concert tour of&nbsp;Greece, Athens, Afghanistan, Singapore, Taiwan, and Hong Kong,&nbsp;under the sponsorship of the Goethe Institute of&nbsp;Munich. A total of 23 recitals were performed during the two tours.</span>", "weight": 13, "secondaryObj": { "oid": "7646b6cfb55f09fbfabd02ad546f886a", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/35/34/30/37/ascdc_muse.jpg", "level": "secondary", "title": "席慕德《菲律濱大中華日報》報導_2", "desc": "《菲律濱大中華日報》於馬尼拉歌德文化中心舉辦音樂會隔天刊登的席慕德報導。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/35/34/30/37/ascdc_muse.jpg?itok=N8yX1Uzu", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/35/34/30/37/ascdc_muse.jpg?itok=9z1XXKb_", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/35/34/30/37/ascdc_muse.jpg?itok=cQ3s3T1L", "mfid": "dea3fe715b74791595ce4b3be6babb20", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有", "fileOversize": false } }, "storymap-3jdzkn": { "id": "storymap-3jdzkn", "type": "storymap", "sortable": true, "weight": 14, "sourceID": "12919" }, "basic-yfw3kva212": { "id": "basic-yfw3kva212", "type": "basic", "sortable": true, "primaryObj": { "oid": "18f3d5ae8a3be4523962b5cde1c39caf", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/34/35/34/ascdc_muse.mp4", "level": "primary", "title": "美國之音節目介紹席慕德", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/35/34/ascdc_muse_cover.jpg?itok=HFHqb0F7", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/35/34/ascdc_muse_cover.jpg?itok=5BPp-VqY", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/35/34/ascdc_muse_cover.jpg?itok=mmq26bnf", "mfid": "9a24a33bef51a31e3937e3660aa4f32c", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "美國之音電台報導 (Radio Report from Voice of America)", "desc": "1969年,美國之音廣播電台的歐洲分部製作了一段關於<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">席慕德</a>的報導,其中穿插有幾段席為該電台錄製的演唱錄音。報導中,除了對席慕德的歌聲讚譽有佳之外,主持人羅傑.卡沃還特別指出席對於語言的天份,不僅能説德、義、英、中四種語言,其詮釋的德國藝術歌曲及義大利歌劇嘆調更是得到樂評的一致讚賞。&nbsp;<br><span><br>此外,節目中也節錄了一段席慕德以中文替美國之音歐洲分部報導即時新聞的片段,完整的報導內容是在敘述當年的諾貝爾獎主席<a target=\"_blank\" rel=\"nofollow\" href=\"https://en.wikipedia.org/wiki/Gunnar_Jahn\">岡納・楊</a>,在頒獎典禮上給予了一段讚賞金恩博士以及當時黑人民權運動的演講。<br><br></span>In 1969, the Voice of America European Bureau introduced <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">Phyllis HSI</a>. In the report, not only her voice was admired, but also her talent in languages. The host,&nbsp; Roger Cowell, specifically pointed out that Phyllis HSI could speak German, Italian, English and Mandarin; meanwhile, her interpretation of German lied and Italian arias were highly praised by critics.&nbsp;<br><br>They also broadcasted a section of Phyllis HSI reporting the news in Mandarin for the Voice of America European Bureau. It was about a speech given by the Chairman of the Nobel Prize, <a target=\"_blank\" rel=\"nofollow\" href=\"https://en.wikipedia.org/wiki/Gunnar_Jahn\">Gunnar Jahn</a>, in an award ceremony regarding his compliment of Dr. King and the civil rights movement at the time.<br>", "weight": 15 }, "basic-uh0ad6b4nz": { "id": "basic-uh0ad6b4nz", "type": "basic", "sortable": true, "primaryObj": { "oid": "f3277983c5975017b9f94e21146b46aa", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/34/34/39/ascdc_muse.mp4", "level": "primary", "title": "席慕德演唱舒伯特的《漁夫之歌》", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/34/39/ascdc_muse_cover.jpg?itok=O1y_7F4H", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/34/39/ascdc_muse_cover.jpg?itok=A5KKb274", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/34/39/ascdc_muse_cover.jpg?itok=471UcFtF", "mfid": "b3f69bffae2f5292428bc6750c965d89", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "經典錄音 (Classic Recording)", "desc": "1971年,在第二次世界巡演結束後,<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">席慕德</a>曾經短暫返國在多所大專院校任教。三年後,她再次前往美國紐約進修,隨知名女高音歌唱家<a target=\"_blank\" rel=\"nofollow\" href=\"https://en.wikipedia.org/wiki/Eleanor_Steber\">伊蓮諾.史蒂柏</a>學習聲樂,並在接下來的十年間,於臺、美及加拿大等地舉辦多場獨唱會,期間也數度應新加坡國家劇院、香港文化局等之邀,在當地演唱並舉辦德國藝術歌曲講座。&nbsp;<br><span><span><br>1982年,席慕德在茱莉亞音樂學院的錄音室錄製了一張個人專輯《席慕德演唱專集》,內容選錄了</span>八首德文藝術歌曲及十二首代表性的中國民謠;該唱片於隔年獲得紐約林肯中心音樂圖書館編列目錄。</span>&nbsp;<br><br>聆聽專輯中的舒伯特的藝術歌曲《漁夫之歌》&nbsp;。<br><span><br>席慕德在此曲中以流暢輕快的聲調完美詮釋漁夫愜意閒適的生活樣貌。<br><br></span>In 1971, <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">Phyllis HSI</a> returned to Taiwan, started teaching voice and lieder at many universities after her second concert tour around the world. Three years later, she went to New York and studied singing with the famous soprano&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"https://en.wikipedia.org/wiki/Eleanor_Steber\">Eleanor Steber.</a> In the next decade, Phyllis HSI gave numerous solo recitals in Taiwan, America, and Canada. She was also invited to give lecture concerts by the cultural institutes of Singapore and Hong Kong on many occasions.&nbsp;<br><br>In 1982, Phyllis HSI recorded a&nbsp;personal album in the studio of The Juilliard School, which included 8 Lieder and 12 classic Chinese folk songs. The album was collected by&nbsp;the Performing Arts Library of Lincoln Centre in the next year.&nbsp;<br><br><span>Listen to Franz Schubert’s lied, <i>Fischerweise</i>, from the album.</span>&nbsp;<br><span><br>In this recording, Phyllis HSI was able to interpret the leisure lifestyle of fishermen with her smooth and brisk singing.</span><br>", "weight": 16 }, "basic-1tkjl19qvh": { "id": "basic-1tkjl19qvh", "type": "basic", "sortable": true, "primaryObj": { "oid": "4e4ca50e59ef6acdf29412f1cb464877", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/34/34/38/ascdc_muse.mp4", "level": "primary", "title": "訪談席慕德", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/34/38/ascdc_muse_cover.jpg?itok=NkNg9VY2", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/34/38/ascdc_muse_cover.jpg?itok=IcjXU3d5", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/34/38/ascdc_muse_cover.jpg?itok=Hr4KD4rH", "mfid": "d733c13c535187de7e1b86313225b2a3", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "深耕回饋 (The Contribution to Society)", "desc": "走過輝煌的演唱生涯,1985年<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">席慕德</a>返臺定居,回到母校臺師大音樂系任教,也參與「中華民國聲樂家協會」的成立(1992)並於1999至2006年榮任理事長一職,在任期間主辦了各項例行的演唱活動及賽事,並於2001及2008年策劃了「台北德文藝術歌曲大賽」,在廣受熱烈迴響與肯定之餘,也提拔了無數青年學子。&nbsp;<br><span><br>同時間,席慕德亦積極致力於「現代中文藝術歌曲」的推廣,她定期邀請當代著名的詩人及作曲家共同來創作新一代的中文藝術歌曲,舉辦多場「你的歌我來唱」系列音樂會,並將新創的樂曲收錄在出版的《你的歌我來唱:當代中文藝術歌曲集》系列中。在教學與演唱之餘,席慕德更憑藉著流暢的文筆,出版多本著作,內容廣泛多元,兼容音樂散文、演唱評論與歌譜編選、譯詞等不同取向,成為國內聲樂學子重要的參考資料,對於臺灣音樂教育的奉獻不餘遺力。</span>&nbsp;<br><br>觀賞席慕德本人的訪談影片,闡述她對於德國藝術歌曲、音樂典藏、聲樂教學、現代音樂及專輯錄製等的珍貴意見與看法。<br><br>In 1985, <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/0483a981ddf91e9e4ae177b0046c4780\">Phyllis HSI</a> settled in Taiwan and resumed teaching at the National Taiwan Normal University. She co-founded the Association of Vocal Artists of R. O. C., and was chosen to be the Chairwoman from 1999 to 2006. During her reign, she held various singing events and produced vocal competitions, including the Lieder Competition in Taipei 2001 &amp; 2008, which were well received and promoted many young singers.&nbsp;<br><br>In the meantime, Phyllis HSI was trying to promote contemporary Chinese art songs by inviting poets and composers to work together, holding series of concerts, \"Our Poets, Our Songs,\" and published the collections of the contemporary Chinese art songs. In addition to singing and teaching, Phyllis HSI also wrote reviews and articles on music for newspapers and art magazines, published books about Lieder and vocal arts, which have become important learning materials for future generations.&nbsp;<br><br>In this interview, Phyllis HSI elaborated her viewpoints and perspectives on Lied, music archiving, vocal education, contemporary music, and album producing.<br>", "weight": 17 }, "timeline-3o0pav": { "id": "timeline-3o0pav", "type": "timeline", "sortable": true, "weight": 18, "sourceID": "12922" }, "theme-3dkp0l5u8s": { "id": "theme-3dkp0l5u8s", "type": "theme", "sortable": true, "primaryObj": { "oid": "efae949a15df291825c20e2cbe27e9af", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/35/36/35/35/ascdc_muse.jpg?itok=UovZk-8S", "level": "primary", "title": "温隆信 獨照_3", "desc": "80 年代,戴著耳機專注於音樂的温隆信。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/35/36/35/35/ascdc_muse.jpg?itok=Rjiad9rn", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/35/36/35/35/ascdc_muse.jpg?itok=VJPrU87f", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/35/36/35/35/ascdc_muse.jpg?itok=tFHYKkul", "mfid": "0c05f07b330ae23d848ff911488dcced", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "國際榮耀:温隆信", "desc": "<b>Composer: WEN Loong-Hsing</b>", "weight": 19 }, "basic-dabizgv1hp": { "id": "basic-dabizgv1hp", "type": "basic", "sortable": true, "primaryObj": { "oid": "5b96bd5e60f2bc07cba950cbcc41105f", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/35/33/38/31/ascdc_muse.jpg?itok=tkgLO-M5", "level": "primary", "title": "沈錦堂與向日葵樂會成員合照", "desc": "沈錦堂與陳懋良、游昌發、馬水龍、溫隆信、賴德和等師友、同學,共組「向日葵樂會」,定期發表音樂作品。此珍貴照片為向日葵首次作品發表會,成員合照由右至左為游昌發、溫隆信、賴德和、沈錦堂、陳懋良、馬水龍。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/35/33/38/31/ascdc_muse.jpg?itok=5ack3zNw", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/35/33/38/31/ascdc_muse.jpg?itok=tc5cM5gN", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/35/33/38/31/ascdc_muse.jpg?itok=LTKXDQFf", "mfid": "a6cb5a78690870835a5afa04b5253db8", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "初試啼聲 (An Emerging Star)", "desc": "<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/60100ab3e75eaf26f0036087bf8962c9\">温隆信</a>是旅居海外並活躍於臺灣樂壇的作曲家,他同時也是一名樂團創辦人及畫家。1944年出生於臺北市,温隆信在他13歲時創作了第一首樂曲,至此對於作曲產生濃厚興趣。高中畢業後,温隆信考入國立藝專(今國立臺灣藝術大學)音樂科弦樂組,主修小提琴,並向<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/7d7a7cdf5491b9d53dba1cdc4bb65ac2\">陳懋良</a>修習作曲,同時接受<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/954cd3a438f97a81d997d7f631d8301d\">許常惠</a>的指導,在大學時期掌握了「空間記譜法」的現代作曲技法。&nbsp;<br><span><br>大學畢業後,温隆信進入臺灣省交響樂團(今臺灣交響樂團)擔任第一小提琴手,同時他也加入由陳懋良創立的「向日葵樂會」以及由許常惠創立的「製樂小集」,持續發表新作。1970年,温隆信先是以合唱曲《延平郡王頌》獲得第二屆黃自作曲比賽首獎,隔年再以定音鼓五重奏《現象Ⅰ》獲得第一屆中國現代音樂作曲比賽首獎,自此開始在作曲界嶄露頭角。<br><br></span><span><a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/60100ab3e75eaf26f0036087bf8962c9\">WEN Loong-Hsing</a>&nbsp;</span>is an active composer in Taiwan and abroad. He also formed music organizations with an avocation as a painter. He was born in Taipei in 1944, composed his first piece when he was 13. After high school, WEN began study&nbsp;at&nbsp;the Department of Music of the National Taiwan Academy of Arts&nbsp;(now the National Taiwan University of Arts), majored in violin and studied composition with <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/7d7a7cdf5491b9d53dba1cdc4bb65ac2\">CHEN Mau-Liang</a> and <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/954cd3a438f97a81d997d7f631d8301d\">HSU Tsang-Houei</a>. In college, he mastered in a contemporary technique of music composition, <i>space notation</i>.&nbsp;<br><span><br>After college, WEN joined the National Taiwan Symphony Orchestra as the section one violinist. Meanwhile, he kept presenting new works through the Sunflower Music Assembly founded by composer&nbsp;CHEN Mau-Liang, and the Musicking Club founded by HSU Tsang-Houei. In 1970, WEN’s choral piece,&nbsp;<i>Ode of KOXINGA</i>, won the Composition Competition of HUANG&nbsp;Tzu. The next year, his timpani quintet, <i>Phenomena I</i>, won&nbsp;first prize in the 1st Composition Competition of Chinese Contemporary Music.</span>", "weight": 20, "secondaryObj": { "oid": "f494ecc5ff9e41b5673e50b73b95a216", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/35/32/34/ascdc_muse.jpg", "level": "secondary", "title": "許常惠 「製樂小集」第六次演出節目單封面", "desc": "1967年4月27日「製樂小集」第六次演出節目單封面。中國青年寫作協會主辦。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/35/32/34/ascdc_muse.jpg?itok=96Gq08Ty", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/35/32/34/ascdc_muse.jpg?itok=ZfR3eHiO", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/35/32/34/ascdc_muse.jpg?itok=Ul8yy44q", "mfid": "c9ee1861a4aeba76dc1e4919ed4f5989", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileOversize": false } }, "basic-9pyosw9pn9": { "id": "basic-9pyosw9pn9", "type": "basic", "sortable": true, "primaryObj": { "oid": "2c2cdd9a29ddcbdc40d3c8f42c96be48", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/34/37/35/ascdc_muse.mp4", "level": "primary", "title": "温隆信《現象Ⅱ》片段", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/37/35/ascdc_muse_cover.jpg?itok=NExojlaG", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/37/35/ascdc_muse_cover.jpg?itok=XOMJf3AO", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/37/35/ascdc_muse_cover.jpg?itok=vNc-EP39", "mfid": "28342eb23ae4f3a854ba2f50157fc3ef", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "大放異彩 (Made a Splash)", "desc": "1972年,<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/60100ab3e75eaf26f0036087bf8962c9\">温隆信</a>以小提琴及鋼琴的奏鳴曲《十二生肖》入選荷蘭高地慕司國際現代音樂作曲比賽 ,並在大賽的推薦下,以觀察員身分加入國際現代作曲家協會。1975年,温隆信再以大型室內樂作品《作品1974》及為小型室內樂及打擊樂器的《現象Ⅱ》入選於荷蘭高地慕司國際現代音樂作曲比賽,其中《現象Ⅱ》更獲得大賽第二獎,是亞洲第一位獲得此殊榮的作曲家。之後温隆信陸續於1975年獲選十大傑出青年金手獎、1980年獲得第二十一屆全國文藝獎章等榮譽以及金鼎獎最佳歌曲創作、1982年榮獲第三屆吳三連文藝作曲獎章。&nbsp;<br><span><br><b>欣賞《現象Ⅱ》的片段</b></span><br><br>《現象Ⅱ》是一首為長笛、大提琴、鋼琴、打擊樂創作的室內樂曲,温隆信以樂器間迥異的音質來建構起聲響上的立體感;同時,他在樂譜上使用其擅長的「空間記譜法」來表現視覺上的立體感,讓這份樂譜乍看之下仿若一幅畫般。根據温隆信自身的說法,此曲的創作靈感來自於中國哲學中對於「氣」的論述,他企圖藉由西方現代的作曲技法來展現氣韻中「虛」與「實」。<br><br><span>In 1972, <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/60100ab3e75eaf26f0036087bf8962c9\">WEN Loong-Hsing</a>’s&nbsp;</span>Sonata for violin and piano,&nbsp;<i>12 Xhin-Xann</i>, was selected for&nbsp;the International Gaudeamus Composers' Competition. He then joined The International Society for Contemporary Music as an observer upon the recommendation of the Gaudeamus Composers' Competition. In 1975, WEN’s chamber pieces, <i>Composition 1974</i>&nbsp;and <i>Phenomena II</i>,&nbsp;were selected for&nbsp;the International Gaudeamus Composers' Competition, and&nbsp;<i>Phenomena II</i>&nbsp;won the second prize, making him the first Asian composer to win that international award. WEN also won the gold medal in the Top 10 Outstanding Young Composers Awards, 1975, the 21st National Culture and Arts Medal, 1980, the WU Sanlian Culture and Arts Awards for composition, 1982.&nbsp;<br><span><br><b>Let’s listen to a section of the wining piece, </b><i><b>Phenomena II</b></i><b>.</b></span><b>&nbsp;</b><br><span><i><br>Phenomena II </i>was a chamber piece for flute, celesta, two cellos, piano, and percussion. In this piece, WEN was able to build a three-dimensional soundscape with diverse textures of all the instruments; meanwhile, he also created a three-dimensional score with a special technique of music composition, <i>space notation</i>, making the score more like a painting. According to WEN, the inspiration of <i>Phenomena II </i>came from the concept of <i>Qi</i> in Chinese philosophy. He was trying to capture the character of <i>Qi</i>, the concrete and the empty, with modern composition techniques.</span>", "weight": 21 }, "basic-3ees7aw6g3": { "id": "basic-3ees7aw6g3", "type": "basic", "sortable": true, "primaryObj": { "oid": "a3ec50b9786dde73c964d9010c1ed29d", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/35/36/36/38/ascdc_muse.jpg?itok=KIHZUXNg", "level": "primary", "title": "温隆信 《早起的鳥兒有蟲吃》演出後", "desc": "1985 年,兒童歌劇《早起的鳥兒有蟲吃》演出後與工作人員合影。右一為擔任旁白的陸小芬,右三為編舞家黃麗薰,左二為歌唱指導蔡珮芳。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/35/36/36/38/ascdc_muse.jpg?itok=XN1Z1h64", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/35/36/36/38/ascdc_muse.jpg?itok=0BFKVBzE", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/35/36/36/38/ascdc_muse.jpg?itok=8EoMzBGr", "mfid": "ea24f6cf99f6b7a65c55807181797453", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "創新與突破 (Innovation and Breakthrough)", "desc": "<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/60100ab3e75eaf26f0036087bf8962c9\">温隆信</a>擅長以室內樂的形式將不同樂器組合在一起,從早期對於西洋樂器的運用,到後期多以傳統樂器作為創作主軸,其中打擊樂在他的作品中自始至終都佔有相當大的比例。除了個人成就之外,温隆信於1974年與<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/002c0150eb3b315f9283eeab2c9de47c\">康謳</a>、<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/954cd3a438f97a81d997d7f631d8301d\">許常惠</a>、許博允等人籌組亞洲作曲家聯盟,並擔任過聯盟的常務理事及大會秘書長。&nbsp;<br><span><br>同時,温隆信亦致力於兒童音樂教育及電子音樂的教學,他曾創作過上百首的兒童歌曲,也為兒童音樂教育編寫過教材及音樂劇;1989年,温隆信推動在輔仁大學設立了臺灣第一所電子音樂教學中心,並策劃電子音樂研習營,為國內電子音樂開先河之人。<br><br></span><span><a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/60100ab3e75eaf26f0036087bf8962c9\">WEN Loong-Hsing</a> was very good at combining different instruments into a chamber form. At first, he composed mainly with western instruments, but used traditional instruments in his later works. Among them, percussion always played an important role from the beginning to the end. In addition to personal success, WEN co-founded the&nbsp;Asian Composers League in Taiwan with&nbsp;</span><a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/002c0150eb3b315f9283eeab2c9de47c\">KANG Ou</a>&nbsp;,&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/954cd3a438f97a81d997d7f631d8301d\">HSU Tsang-Houei</a>, HSU Po-Yun, 1974, and served as the standing director and&nbsp;executive secretary.&nbsp;<br><span><br>At the same time, WEN had devoted himself to music education for children and electronic music in Taiwan. He wrote plays, hundreds of songs, as well as music teaching materials for children, and founded the first&nbsp;Electronic Music Centre of Taiwan at&nbsp;Fu Jen Catholic University in 1989,&nbsp;and organised&nbsp;a workshop for electronic music.</span><br>", "weight": 22, "secondaryObj": { "oid": "6f1f4c9dbc047b1a2e0afb62e354ed33", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/32/34/33/31/ascdc_muse.jpg", "level": "secondary", "title": "康謳於「亞洲作曲家聯盟中華民國總會」第一次發表會演出後留影", "desc": "「亞洲作曲家聯盟中華民國總會」第一次發表會演出後留影。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/32/34/33/31/ascdc_muse.jpg?itok=HfEmpZEL", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/32/34/33/31/ascdc_muse.jpg?itok=g0LPqtu-", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/32/34/33/31/ascdc_muse.jpg?itok=0v3HFbmc", "mfid": "24ee3ff746832d1abb9cc40f9b977e23", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有", "fileOversize": false } }, "basic-1ztt127am8": { "id": "basic-1ztt127am8", "type": "basic", "sortable": true, "primaryObj": { "oid": "367b67435794f7381582b24260afe348", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/34/37/36/ascdc_muse.mp4", "level": "primary", "title": "温隆信訪談", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/37/36/ascdc_muse_cover.jpg?itok=VS5FQ6SX", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/37/36/ascdc_muse_cover.jpg?itok=Ijs47x4K", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/37/36/ascdc_muse_cover.jpg?itok=d2jw1D33", "mfid": "030365cdb07174fffdf95f5d7637e671", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "温隆信談作曲家的責任 (WEN Talks About the Responsibilities of a Composer)", "desc": "1992年,<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/60100ab3e75eaf26f0036087bf8962c9\">温隆信</a>舉家移民美國,在紐約大學擔任駐校作曲家並教授作曲。退休後,温隆信帶領自創的管絃樂團「柝之響」至世界各地巡演,舉辦多場講座及大師班等課程,將自身經驗與知識傳遞給現代的年輕學子。近年來,温隆信也把投入多年的繪畫創作搬上舞台,在臺舉辦多場個人畫展。&nbsp;<br><br>在這段訪談中,温隆信談到他認為身為現代作曲家的四個責任,從最初單純把曲子寫好到可以得到社會的認可,到開始思考如何將現代音樂推廣到社會中,之後再藉由作曲家的力量來提升稀有樂種的素質,以及最後他認爲作曲家應該要竭盡自身的所有資源來培育下一代人才。<br><br><span>In 1992, <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/60100ab3e75eaf26f0036087bf8962c9\">WEN Loong-Hsing</a>&nbsp;</span>immigrated to the United State, became a&nbsp;lecturer and a composer in residence at&nbsp;New York University. After retirement, he travelled around the world with his own orchestra, Clap and Tap Chamber Orchestra, giving master classes and lectures. In recent years, WEN started putting out his paintings on stage, and held solo exhibitions in Taiwan.&nbsp;&nbsp;<br><span><br>In this interview, WEN talks about four responsibilities that he believed a composer in today’s world should have. First, a composer must be able to bring out the best to gain society's recognition. Next, he/she has to think about how to promote contemporary music to the public, and improve the dying music genres by providing more works. At last, a successful composer must contribute himself/herself, with all the resources, to pass on the knowledge to the next generation.</span>", "weight": 23, "secondaryObj": { "oid": "573e22b6034c586ebaa91d37d7fbee23", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/35/36/37/31/ascdc_muse.jpg", "level": "secondary", "title": "温隆信擔任紐約大學駐校作曲家時與同事合影", "desc": "攝於 NYU 紐約大學駐校作曲家期間。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/35/36/37/31/ascdc_muse.jpg?itok=miFWybra", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/35/36/37/31/ascdc_muse.jpg?itok=Kj5mKCA8", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/35/36/37/31/ascdc_muse.jpg?itok=otqw65dv", "mfid": "61cb32b88a175c545b8d08ab6cfda81b", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false } }, "timeline-8vtlle": { "id": "timeline-8vtlle", "type": "timeline", "sortable": true, "weight": 24, "sourceID": "12935" }, "theme-wen1w77769": { "id": "theme-wen1w77769", "type": "theme", "sortable": true, "primaryObj": { "oid": "b8e12a33e0313b13297233b27b15c088", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/36/37/35/32/ascdc_muse.jpg?itok=fvbu19HW", "level": "primary", "title": "葉綠娜與魏樂富於音樂會", "desc": "葉綠娜與魏樂富1989年於忠孝東路 敦化南路口音樂會。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/36/37/35/32/ascdc_muse.jpg?itok=yQaNvz6D", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/36/37/35/32/ascdc_muse.jpg?itok=LPGTbeSH", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/36/37/35/32/ascdc_muse.jpg?itok=vZ5o6TtH", "mfid": "2c5d04e4b93f451513570f322a6594f0", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "鶼鰈琴聲:魏樂富與葉綠娜", "desc": "<b>Pianists&nbsp;Couple:&nbsp;<br></b><b>Rolf-Peter WILLE</b><b>&nbsp;&amp;&nbsp;</b><b>YEH&nbsp;</b><b>Lina</b>", "weight": 25 }, "basic-3hqw34157d": { "id": "basic-3hqw34157d", "type": "basic", "sortable": true, "primaryObj": { "oid": "f3484dd715e75727b0f4cea63fc8a0f7", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/33/31/35/32/ascdc_muse.jpg?itok=BuZu0-ff", "level": "primary", "title": "吳漪曼、蕭滋與年少時期的葉綠娜合影", "desc": "吳漪曼、蕭滋與年少時期的葉綠娜合影。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/33/31/35/32/ascdc_muse.jpg?itok=6-prpdb4", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/33/31/35/32/ascdc_muse.jpg?itok=63_ky9W4", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/33/31/35/32/ascdc_muse.jpg?itok=GwHMzJ2m", "mfid": "048dc8c55bd26735331b59d83c52a1f2", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "葉綠娜(YEH Lina)", "desc": "<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">葉綠娜</a>是臺灣當今知名的鋼琴演奏家、音樂教育家、樂評人與電臺主持人。自小聰慧的葉綠娜,六歲開始隨陳錦裳女士學琴;舉家遷至臺北之後,遂隨鋼琴名家<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/df24eb748178a43e9eefa31996810626\">吳漪曼</a>、<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/959ff1006fb827c7e152e5250ef17e81\">蕭滋</a>與吳季札等繼續學琴。國中畢業後,葉綠娜以優異成績考上北一女;然而在蕭滋的鼓勵下,她決定遠赴奧地利薩爾斯堡音樂學院學習,並於1975年取得奧地利薩爾茲堡莫札特音樂院鋼琴演奏藝術演奏家文憑。&nbsp;<br><span><br>隔年,葉綠娜轉赴德國漢諾威音樂學院繼續隨鋼琴大師<a target=\"_blank\" rel=\"nofollow\" href=\"http://www.leygraf.com/\">雷格拉夫</a>學琴;1978年短暫返臺任教於國立臺灣師範大學音樂學系,1984年她再度前往美國茱莉亞音樂學院深造。返臺定居後,葉綠娜回到師大音樂系,除了繼續演奏生涯之外,也投入教學培養後進之路。<br></span><br><span><a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">YEH Lina</a> is a well-known pianist, music educator, music critic, and radio program host in Taiwan. She learned the piano from renowned musicians like <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/df24eb748178a43e9eefa31996810626\">WU E-Mane</a>, <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/959ff1006fb827c7e152e5250ef17e81\">Robert Scholz</a>, and Francis WU, was admitted to the Mozarteum Salzburg in Austria based on her music talent, and received a Diploma in Piano Performance, 1975.</span>&nbsp;<br><span><br>YEH then went on to study with the&nbsp;pianist&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"http://www.leygraf.com/\">Hans Leygraf</a>, at the Staatliche Hochschule für Musik Hannover in Germany. In 1978, she returned to Taiwan and began teaching&nbsp;at&nbsp;the Department of Music of&nbsp;the National Taiwan Normal University. In 1984, YEH went to the United States and studied&nbsp;at&nbsp;The Juilliard School in New York. Three years later, YEH settled in Taiwan, resumed teaching at the National Taiwan Normal University, and started her career as a pianist, as well as an educator, devoting herself to the younger generation.</span>", "weight": 26, "secondaryObj": { "level": "secondary", "oid": "79e0a8c246700edfa22a1135f4262204", "title": "葉綠娜 出國前蕭茲博士送行", "desc": "1971年天才兒童出國前蕭茲博士到松山機場送行曾淑華(戴眼鏡者)劉航安李秀玲。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/36/37/34/39/ascdc_muse.jpg?itok=fOdvX1jM", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/36/37/34/39/ascdc_muse.jpg?itok=MX8qFrD6", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/36/37/34/39/ascdc_muse.jpg?itok=lt9HuwJI", "mfid": "5f3dcd46e3bd462c1045734eb326110d", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/36/37/34/39/ascdc_muse.jpg", "fileType": "image", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false } }, "basic-ovds27l03z": { "id": "basic-ovds27l03z", "type": "basic", "sortable": true, "primaryObj": { "oid": "19cad656796d9e630b81179920ad6059", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/31/39/34/34/34/ascdc_muse.jpg?itok=Kl7vmchN", "level": "primary", "title": "魏樂富 在英國Dartington 大師班與 Perlemuter", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/34/34/ascdc_muse.jpg?itok=mqgMvvt-", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/34/34/ascdc_muse.jpg?itok=h9YW_deV", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/34/34/ascdc_muse.jpg?itok=-6auNr3j", "mfid": "b72f5107859d15a737b3d3365e1f6ea7", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "魏樂富(Rolf-Peter WILLE)", "desc": "德裔鋼琴家<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/d4174a614e9b0944c1202ca8aa6ac330\">魏樂富</a>,1954年出生於德國布倫瑞克;他同時身兼鋼琴家、音樂教育家、藝術家及作家數職,將他的大半人生奉獻給臺灣這片土地。1973年,魏樂富進入德國漢諾威音樂學院就讀,在學期間他與未來的妻子<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">葉綠娜</a>相識。1978年,畢業後的魏樂富隨葉綠娜返臺,兩人於隔年完婚並首次以雙鋼琴形式公開演出。&nbsp;<br><br>1984年,他與葉綠娜一同前往美國深造,進入紐約曼哈頓音樂院攻讀,最終於1987年獲得演奏博士的學位。之後,魏樂富隨葉綠娜返臺定居,任教於國立臺北藝術大學音樂系至2020年退休。在臺期間,兩人持續以演奏家的身份參與各項音樂會的演出及音樂教育的推廣,同時魏樂富也以創作者的角度發表多首樂曲,並與葉綠娜共同創作多本關於音樂、兒童教育以及被他視為第二故鄉台灣的著作。2018年,魏樂富正式歸化臺灣籍。<br><br><span><a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/d4174a614e9b0944c1202ca8aa6ac330\">Rolf-Peter WILLE</a> is a German pianist, composer, author and music critic, born in 1954, Braunschweig, Germany, who dedicated most of his life to Taiwan. WILLE began study at the Staatliche Hochschule für Musik Hannover in Germany, 1973, and met his future wife, <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">YEH Lina</a>, while there. He graduated in 1978, accompanied YEH Lina, and settled in Taiwan. They got married in the following year and started performing together as a piano duo.</span>&nbsp;<br><span><br>In 1984, WILLE went to the United States and studied at the Manhattan School of Music in New York, and earned a Doctor of Musical Arts degree in 1987. He then began teaching at the Taipei National University of the Arts until his retirement in 2020. While in Taiwan, WILLE participated in various concerts and activities as a performer. At the same time, with the collaboration of YEH, he published a number of composition works and books about music thinking, children's education, and his second hometown, Taiwan. In 2018, WILLE was officially naturalized as a national of the Republic of China, Taiwan.</span>", "weight": 27, "secondaryObj": { "oid": "8aab6f156caf3f6a2eb6eb1c0813e448", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/37/36/33/39/ascdc_muse.jpg", "level": "secondary", "title": "魏樂富 與亨利.梅哲", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/37/36/33/39/ascdc_muse.jpg?itok=DCyzTwu3", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/37/36/33/39/ascdc_muse.jpg?itok=8sqTsSxd", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/37/36/33/39/ascdc_muse.jpg?itok=YJAHq7rk", "mfid": "1aac14f71d49b14341936f57bf2625cf", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false } }, "basic-2vqv3hdjr1": { "id": "basic-2vqv3hdjr1", "type": "basic", "sortable": true, "primaryObj": { "oid": "a4d5a9f8bd2c088224baff78ee434dbd", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/w1024/muse/37/36/32/32/ascdc_muse.jpg?itok=uv9Rvqn-", "level": "primary", "title": "葉綠娜、魏樂富二人行雙鋼琴獨奏會", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/37/36/32/32/ascdc_muse.jpg?itok=r3Vf09ea", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/37/36/32/32/ascdc_muse.jpg?itok=kWKwmQ_Y", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/37/36/32/32/ascdc_muse.jpg?itok=DvKQ0mOf", "mfid": "dab538f8d0059483412183bd7e1c6c0e", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "永恆的雙鋼琴(Piano Duo of Love)", "desc": "<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/d4174a614e9b0944c1202ca8aa6ac330\">魏樂富</a>與<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">葉綠娜</a><span>於<span>1978年開始他們超過四十年的雙鋼琴演奏生涯,兩人的演奏足跡踏遍世界各地,並不斷嘗試以不同形式的展演方式推廣古典音樂。1990年兩人因在雙鋼琴演奏方面的傑出表現,共同榮獲第十五屆國家文藝獎。之後兩人更於2010年被邀請至羅馬梵蒂岡教堂為教宗演出雙鋼琴,並獲外交部頒發睦誼外交獎章,成為臺灣最具代表的音樂文化大使之一。<br></span></span><span><br>在演奏與教學之餘,魏樂富與葉綠娜也不定期推出多張兩人合作及個人獨奏的錄音專輯,其中兩人於2010年為紀念三十年婚姻生活而推出「雙鋼琴三十禮讚」專輯,勇奪當年第二十一屆金曲獎傳統暨藝術音樂類最佳演奏獎;2013年,由葉綠娜監製的臺灣作曲家郭芝苑鋼琴作品專輯「在野的紅薔薇:郭芝苑鋼琴獨奏曲集」,最終也獲得了第二十四屆金曲獎傳統暨藝術音樂類最佳專輯製作人獎的肯定。<br></span><br><span><a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/d4174a614e9b0944c1202ca8aa6ac330\">Rolf-Peter WILLE</a> and <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">YEH Lina</a> have performed together as a piano duo over 40 years, with glorious track records of musical concerts and award-winning recordings. In 1990, they both received the 15th&nbsp;National Award for Arts for their outstanding performance. In 2010, Rolf-Peter WILLE and&nbsp;YEH Lina were invited to perform&nbsp;in front of the&nbsp;Pope at&nbsp;Vatican City, Rome. They were also awarded the Friendship Medals of Diplomacy by the Ministry of Foreign Affairs.</span>&nbsp;<br><span><br>In the same year, their published album, <i>30th Anniversary of Piano Duo</i>, won The Best Classical Album and&nbsp;The Best Performance Awards in the&nbsp;21st&nbsp;Golden Melody Awards&nbsp;for Traditional Arts and Music. In 2013, the Album, <i>Kuo Chih-Yuan Piano Solo Works</i>, produced by YEH Lina, won the&nbsp;Best Album Producer&nbsp;in the&nbsp;24th Golden Melody Awards for&nbsp;Traditional Arts and Music.</span>", "weight": 28, "secondaryObj": { "oid": "2ba8f3492fd8e04c38d3acfd312bb979", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/37/36/34/32/ascdc_muse.jpg", "level": "secondary", "title": "魏樂富 玉山上夫妻樹下", "desc": "臺視錄影。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/37/36/34/32/ascdc_muse.jpg?itok=shqz-O3N", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/37/36/34/32/ascdc_muse.jpg?itok=gnTwWtN1", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/37/36/34/32/ascdc_muse.jpg?itok=Dw38kHk5", "mfid": "3d49025e19e5ea811574abf13e45c576", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileOversize": false } }, "basic-43ujeg140z": { "id": "basic-43ujeg140z", "type": "basic", "sortable": true, "primaryObj": { "oid": "fc7364f89d86f84f0c880f1435bbaa52", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/34/35/35/ascdc_muse.mp4", "level": "primary", "title": "魏樂富的雙鋼琴曲《青春舞曲》", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/35/35/ascdc_muse_cover.jpg?itok=3hUK20DB", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/35/35/ascdc_muse_cover.jpg?itok=lLz4BF-A", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/35/35/ascdc_muse_cover.jpg?itok=r95AnjVW", "mfid": "66f53f836df949c053b60f053128a491", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "魏樂富《青春舞曲》(\"Danse Des Pagodes\" by Rolf-Peter WILLE)", "desc": "此次公開的珍貴錄音檔案,出自<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/d4174a614e9b0944c1202ca8aa6ac330\">魏樂富</a>與<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">葉綠娜</a>錄製錄製的第一張專輯「青春舞曲」。那是在臺灣唱片產業最蓬勃的年代,當時由專門代理進口DGG 和Philips原版唱片的齊飛唱片找上魏樂富和葉綠娜一同來推動這項錄音出版計畫,兩人於1987年8月遠赴德國布倫瑞克錄製這張專輯,專輯名稱則取自該專輯中由魏樂富創作的同名樂曲《青春舞曲》。&nbsp;<br><br>《青春舞曲》是魏樂富和葉綠娜兩人於1983年和美國機遇音樂作曲家<a target=\"_blank\" rel=\"nofollow\" href=\"https://zh.wikipedia.org/zh-tw/%E7%B4%84%E7%BF%B0%C2%B7%E5%87%B1%E5%90%89\">約翰.凱吉</a>上課後產生靈感而創作出來的實驗性雙鋼琴樂曲,其中一架鋼琴為預置鋼琴,即在演出前會在琴弦上放置不同的物品來改變鋼琴原本的聲響;當兩架鋼琴一同演奏時,會因為音波差異而激發出不同的音感。當時魏樂富覺得預置鋼琴所發出來的聲音帶有濃厚的東方色彩,近似印尼的甘美朗音樂,故最後他找了新疆民歌《青春舞曲》的第一段旋律作為樂曲的動機,再利用預置鋼琴的不同音色及音域來反覆呈現這段旋律的不同樣貌,讓這首作品涵蓋了古今中外各個面向,並兼具現代與異國風貌。<br><br><span><i>Danse Des Pagodes</i> is <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/d4174a614e9b0944c1202ca8aa6ac330\">Rolf-Peter WILLE</a> and <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">YEH Lina</a>’s first published album, recorded in Braunschweig, Germany, in August, 1987, and published in the following year by Qi Fei record company, the predecessor of PolyGram and Universal Music Taiwan. The title of the album was taken from the piece of the same name, <i>Danse Des Pagodes</i>, composed by WILLE.</span>&nbsp;<br><span><br>The piece, <i>Danse Des Pagodes</i>, was inspired by <a target=\"_blank\" rel=\"nofollow\" href=\"https://en.wikipedia.org/wiki/John_Cage\">John Cage</a>, an American composer of Aleatoric music. In 1983, WILLE and&nbsp;YEH studied with&nbsp;John Cage at the camp of Banff Center,&nbsp;debuting new works of&nbsp;John Cage. They learned the technique of prepared piano from John Cage, and decided to apply it on a experimental piece for two pianos. WILLE felt the sound of prepared piano sounded very Asian, almost like Gamelan music, so he adopted a piece of music from a Xinjiang folk song, <i>Youth Dance</i>. WILLE used different sounds and registers of prepared piano to vary the first melody of <i>Youth Dance</i>; he then combined it with accompaniment to make the piece sound more mid-eastern, covering various periods and styles.</span>", "weight": 29, "secondaryObj": { "oid": "b2ae8fa2e8cdb745bf4d69db7524d27d", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/36/37/35/31/ascdc_muse.jpg", "level": "secondary", "title": "葉綠娜 與John Cage於加拿大班夫", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/36/37/35/31/ascdc_muse.jpg?itok=H833OTe_", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/36/37/35/31/ascdc_muse.jpg?itok=-hT6jND1", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/36/37/35/31/ascdc_muse.jpg?itok=c4DxmLCb", "mfid": "891ba3e98ca0afc69a1f5b89ea435c0b", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileOversize": false } }, "basic-4r7zvg2x0t": { "id": "basic-4r7zvg2x0t", "type": "basic", "sortable": true, "primaryObj": { "oid": "d74e08afc00c517144954cdcab833c1d", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/muse_download/34501fe7f2cea233c1561c2c680bc708", "level": "primary", "title": "魏樂富與葉綠娜演奏盧炎的《四手聯彈鋼琴曲》", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/35/37/ascdc_muse_cover.jpg?itok=bwucd3Lf", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/35/37/ascdc_muse_cover.jpg?itok=6Ooolr5b", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/35/37/ascdc_muse_cover.jpg?itok=01ClIupX", "mfid": "34501fe7f2cea233c1561c2c680bc708", "fileCreator": "", "rights": "程詩雅女士", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "盧炎 《四手聯彈鋼琴曲》(\"Piece for Four Hands\" by LU Yen)", "desc": "「青春舞曲」這張專輯收錄的主要是兩人所詮釋的多首西洋經典四手聯彈鋼琴曲,像是佛瑞的《桃莉組曲》和拉威爾的《鵝媽媽組曲》。除了魏樂富的《青春舞曲》之外,當時兩人另外還想再加入一些國人創作的樂曲,於是就委託當時同住在東吳大學的鄰居作曲家<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/b51a502090aa101f17311ed790de5e46\">盧炎</a>為他們量身定做一首四手聯彈鋼琴曲。&nbsp;<br><span><br>盧炎在1987年7月完成了這首《四手聯彈鋼琴曲》,樂曲為ABA三段體曲式,開頭他使用中國五聲音階來建構旋律動機,並以對位的手法呈現,企圖營造出一種傳統的意境;接著中段以繁簇的音堆及複雜的節奏型態開展出現代音樂的格局,之後末段又回歸到開頭的寧靜,最後在極富禪意的餘波中結束樂曲。</span>&nbsp;<br><br>此曲後來也為盧炎贏得金鼎獎的榮譽。<br><br>特別加映:<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/5d17c9343b10444bf19e679d41e5e57f\">公視節目《音樂雞尾酒》中對盧炎簡介的影片</a><br><br>In this album,&nbsp;<i>Danse Des Pagodes</i>,&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/d4174a614e9b0944c1202ca8aa6ac330\">Rolf-Peter WILLE</a>&nbsp;and&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">YEH Lina</a>&nbsp;chose many classic piano duets from western composers, such as Faure’s&nbsp;<i>Dolly Suite</i>&nbsp;and Ravel’s&nbsp;<i>Ma mère l'Oye</i>. They then thought it would make the album more interesting if they recorded a work from a Taiwanese composer, besides WILLE’s <i>Danse Des Pagodes.</i>&nbsp;They asked their neighbour <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/b51a502090aa101f17311ed790de5e46\">LU Yen</a>, who happened to be a composer, to write a piano duet piece for them.&nbsp;<br><br>LU Yen finished the <i>Piece for Four Hands</i>&nbsp;in July, 1987, in a ternary form. In the beginning, he constructed the motive with the Chinese pentatonic scale, presented it in counterpoint, and created an atmosphere of ancient China. In the middle section he used sound clusters and complex rhythm patterns to develop the motive into the wildness of contemporary music. The piece, then, returned to the peaceful mood, like the first section. Finally, the music ended in a Zen-like feeling.<br><br>This piece won the Golden Tripod Awards in 1988.<br><br>Additional video:&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/5d17c9343b10444bf19e679d41e5e57f\">A short video about LU Yen in the program \"Music Cocktail\" by Taiwan Public Television</a><br>", "weight": 30, "secondaryObj": { "oid": "e57629f5f4e9357344eb3dea39994996", "fileType": "image", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/33/30/33/30/ascdc_muse.jpg", "level": "secondary", "title": "工作中的盧炎", "desc": "工作中的盧炎。(程思綺攝於2001年)。", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/33/30/33/30/ascdc_muse.jpg?itok=gmqDfTWk", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/33/30/33/30/ascdc_muse.jpg?itok=lcUDiGwe", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/33/30/33/30/ascdc_muse.jpg?itok=N5143Fas", "mfid": "0d1a3ff6a3b01abde820f2d1746becf7", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有", "fileOversize": false } }, "basic-yub7pcqysx": { "id": "basic-yub7pcqysx", "type": "basic", "sortable": true, "primaryObj": { "oid": "4ef2cbd646abfc1767685d8efb54b5f4", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/34/37/38/ascdc_muse.mp4", "level": "primary", "title": "魏樂富與葉綠娜在夫妻樹前演奏《歡樂中國節》", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/37/38/ascdc_muse_cover.jpg?itok=HN2DQfvz", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/37/38/ascdc_muse_cover.jpg?itok=RekGIq_V", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/37/38/ascdc_muse_cover.jpg?itok=3fO__feO", "mfid": "ba2aae030bb505f7692b333553959a9d", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "陳揚《歡樂中國節》(\"China Festival\" by CHEN Yang)", "desc": "在製作「青春舞曲」這張專輯時,齊飛唱片公司同時也希望<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/d4174a614e9b0944c1202ca8aa6ac330\">魏樂富</a>與<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">葉綠娜</a>能為大眾選錄一些較為通俗的樂曲,於是就選了臺灣知名作曲家<a target=\"_blank\" rel=\"nofollow\" href=\"https://zh.wikipedia.org/zh-tw/%E9%99%B3%E6%8F%9A_(%E4%BD%9C%E6%9B%B2%E5%AE%B6)\">陳揚</a>於1983年獲得金鼎獎的流行樂曲《<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.youtube.com/watch?v=FDl0lpnPD-s\">歡樂中國節</a>》,讓葉綠娜改編成雙鋼琴的版本,並融入宛若莫札特音樂風格般的古典氣息,讓原本為電子琴創作的《歡樂中國節》有了耳目一新的效果;此曲也是少數由葉綠娜改編的樂曲之一。<br><br><span>影片為1991年兩人在玉山夫妻樹下彈奏此曲的畫面。<br><br></span><span>When <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/d4174a614e9b0944c1202ca8aa6ac330\">Rolf-Peter WILLE</a> and <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">YEH Lina</a> were making this album, the record company, Qi Fei, believed the album needed something familiar to the public, so they chose <i>Chinese Festival</i>&nbsp;for WILLE and YEH to record. <i><a target=\"_blank\" rel=\"nofollow\" href=\"https://www.youtube.com/watch?v=FDl0lpnPD-s\">Chinese Festival</a></i>&nbsp;was originally composed by a famous Taiwanese composer <a target=\"_blank\" rel=\"nofollow\" href=\"https://zh.wikipedia.org/wiki/%E9%99%B3%E6%8F%9A_(%E4%BD%9C%E6%9B%B2%E5%AE%B6)\">CHEN Yang</a>. He wrote this piece for electronic keyboard and it became a big hit at the time in Taiwan, and won the Golden Tripod Awards in 1983. YEH arranged the piece, herself, and made it sounded very Mozartish. This is also one of very few pieces that were arranged by YEH.</span>&nbsp;<br><br>The video you are watching now was filmed in 1991, when WILLE and YEH played the piece in front of&nbsp;the Couple Trees in Yushan Mountain.", "weight": 31 }, "basic-6xtqsprw69": { "id": "basic-6xtqsprw69", "type": "basic", "sortable": true, "primaryObj": { "oid": "1bb5b7d8bc0db3fec140b2da80cdc0fd", "fileType": "video", "fileURI": "https://tmi.openmuseum.tw/media/650fa77c359979774c06078d03641f1f/31/39/34/38/31/ascdc_muse.mp4", "level": "primary", "title": "葉綠娜談「青春舞曲」專輯", "desc": "", "thumbURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/square_thumbnail_100/muse/31/39/34/38/31/ascdc_muse_cover.jpg?itok=9AEeXZdJ", "thumbMediumURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_medium/muse/31/39/34/38/31/ascdc_muse_cover.jpg?itok=mYmwLKXk", "thumbBigURI": "https://tmi.openmuseum.tw/files/muse_tmi/muse_styles/thumbnail_big/muse/31/39/34/38/31/ascdc_muse_cover.jpg?itok=ZnSg6GAm", "mfid": "bd783c23420d5768d5e3a7844016fde7", "fileCreator": "", "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileOversize": false }, "title": "葉綠娜談「青春舞曲」專輯(YEH Lina Talks About the Album, \"Danse Des Pagodes\")", "desc": "如今距離<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/d4174a614e9b0944c1202ca8aa6ac330\">魏樂富</a>與<a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">葉綠娜</a>錄製的第一張專輯「青春舞曲」已過三十餘年,當年齊飛唱片的信建宇先生特別安排兩人飛往當時的西德布倫瑞克,與DGG 唱片公司錄音工程師 Jobst Eberhardt 合作,錄製了「青春舞曲」及「幻境」兩張專輯。&nbsp;<br><br>這次我們有幸邀請到鋼琴家葉綠娜本人來聊聊他們當初製作「青春舞曲」這張專輯時的歷程,其中包括《青春舞曲》的靈感來源,以及當初委託盧炎創作《四手聯彈鋼琴曲》的初衷,還有《歡樂中國節》一曲改編的種種過程。&nbsp;<br><span><br>特別加映:<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.youtube.com/watch?v=Ad7UCoY7eeE&amp;feature=share&amp;fbclid=IwAR18MD4sch0c8QLQe08aLPsOzwh9VpIkaD_oHUl3y3-TZscoGjdnarvP-fQ\">魏樂富與葉綠娜1988年在布倫瑞克音樂廳演出影片</a><br><br></span><span>It has been 30 years since <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/d4174a614e9b0944c1202ca8aa6ac330\">Rolf-Peter WILLE</a> and <a target=\"_blank\" rel=\"nofollow\" href=\"https://tmi.openmuseum.tw/muse/digi_object/a78b67a95e4a79aaebbb38ac04fdc153\">YEH Lina</a> made their first album, \"<i>Danse Des Pagodes</i>.\" It all started with their friend, XIN Jian-Yu, who arranged the recording session for them in Braunschweig, Germany, hired the recording engineer Jobst Eberhardt from Deutsche Grammophon-Gesellschaft, and produced their first two albums, <i>Danse Des Pagodes</i> and <i>Fantasy</i>.</span>&nbsp;<br><span><br>In this interview, YEH revealed the process of making this album, including the inspiration of <i>Danse Des Pagodes</i>, the original intention to commission LU Yan to write the <i>Piece for Four Hands</i>, and the reason why YEH eventually decided to arrange <i>Chinese Festival&nbsp;</i>herself.</span>&nbsp;<br><br>Additional video:&nbsp;<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.youtube.com/watch?v=Ad7UCoY7eeE\">Rolf-Peter WILLE and YEH Lina’s debut recital in Braunschweig's Stadthalle, 1988</a>", "weight": 32 }, "timeline-ppyzurwo": { "id": "timeline-ppyzurwo", "type": "timeline", "sortable": true, "weight": 33, "sourceID": "12925" }, "thanks": { "id": "thanks", "type": "thanks", "sortable": false, "thanksList": { "國立傳統藝術中心臺灣音樂館": { "rights": "國立傳統藝術中心臺灣音樂館", "rightsLogo": "https://tmi.openmuseum.tw/files/muse_tmi/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "obj": [ "8717dc4f0b266d43b87acac2811bf8f5", "9a12cf03cafc597a5b2d5d00fbffec16", "033cf71a65b999431aa011140eb4d5de", "0a3df3490e1b3235a323329963be9df6", "7c5395ce744e85e68c3f211b20a80569", 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國立傳統藝術中心臺灣音樂館國立臺灣師範大學音樂數位典藏中心黃均人黃比宣